ေခတ္နဲ႔ လူ႔အဖြဲ႕အစည္းက စံႏႈန္းသတ္မွတ္ခ်က္ေတြကို အကုန္လံုးက တေျပးညီလက္ ခံလိုက္ၾကတဲ့အခ်ိန္ ၾကာလာေတာ့… လက္ခံေနရတဲ့ လူေတြအတြက္ ၿငီးေငြစရာ.. လူေန႔မႈဟန္ပန္ ႀကီးျဖစ္လာတယ္။ အဲ့ဒီမွာ.. သူတို႔ေတြ႕ျမင္ေနရတဲ့ လူ႔အဖြဲ႕အစည္းအတြက္ ျပဌာန္းထားတဲ့ သီအိုရီေတြနဲ႔ စံႏႈန္းသတ္မွတ္ခ်က္ေတြကို စၿပီးခ်ိဳးေဖာက္ခ်င္လာၾကတယ္.. အဲ့ဒီလို ခ်ိဳးေဖာက္တဲ့ေနရာမွာ အႏုပညာသည္ေတြက ေရွ႕ဆံုးကထြက္လာၾကတယ္.. အႏုပညာသည္ဆိုတာ သိတဲ့အတိုင္းေလ။ လႊမ္းမိုးႏိုင္စြမ္းအားႀကီးတာေပါ့။။ အဲ့ဒီေတာ့ အျခားသူေတြက သူတို႔လက္ရွိျမင္ေတြ႕ေနရတဲ့ သီအိုရီေတြကို တြန္းလွန္ၿပီး သီအိုရီအသစ္ေတြကို စံႏႈန္းအသစ္အေနနဲ႔ သတ္မွတ္လက္ခံ တက္ၾကပါတယ္၊ အဲ့ဒီလို သီအိုရီသစ္ စံႏႈန္းသစ္ေတြကို လူ႔အဖြဲ႕အစည္းက တေျပးညီ။။ အကုန္လံုး လက္ခံလာတဲ့အခ်ိန္ၾကေတာ့လည္း။။ ေနာက္ထပ္ အျခားသီအိုရီသစ္ေတြကိုပဲ အႏုပညာသည္ေတြက ထပ္ၿပီးေတာ့ ရွာေဖြၾကျပန္ေရာေပါ့… ဒီလိုနဲ႔ လူ႔အဖြဲ႕အစည္းဆိုတာ ၿငီးေငြ႔စရာေကာင္းေနတဲ့ လူ႔အဖြဲအစည္းရဲ႔ စံႏႈန္းသတ္မွတ္ခ်က္ေတြ… ႐ႈျမင္သံုးသပ္ပံုအသစ္အသစ္ေတြနဲ႔ ေခတ္ေတြ တစ္ေခတ္ၿပီး တစ္ေခတ္ျဖန္ သန္းေနၾကတာပါပဲ။။
အံ့ဘုန္းျမတ္
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၂၀၀၉ ခုႏွစ္၊ ဇြန္လ (၆) ရက္ေန႔ကစၿပီး ထိုင္းႏိုင္ငံ၊ ဘန္ေကာက္ၿမိဳ့မွာရွိတဲ့ Silon Gellary မွာ ျပဳလုပ္မယ့္ ဗီယက္နမ္ပန္းခ်ီဆရာ Dinh Y Nhi ရဲ႕႕ပန္းခ်ီကားေတြကို ကၽြန္ေတာ္တို႔ ျမန္မာပန္းခ်ီ ေလ့လာသူေတြအေနနဲ႔ သိရွိႏိုင္ေအာင္ တင္ျပေပးလိုက္ရပါတယ္။ သူရဲ႔ကိုယ္ေရးအက်ဥ္းနဲ႔ အႏုပညာလႈပ္ရွားမႈေတြကိုေတာ့ ေအာက္ပါအတိုင္း ေလ့ႏိုင္ၾကမွာျဖစ္ပါတယ္။
Dinh Y Nhi was born in Hanoi in 1967 and graduated from the Hanoi University of Fine Arts in 1989. She paints multi-layered oil on canvas works that are rich in texture. As with many contemporary thinkers, Dinh Y Nhi rejects the notion of collective memory and its links to a past. Instead, her artistic practice has evolved from questioning the position of women in her Vietnamese society, and by withholding any solace, her imagery distils any stereotyped considerations of her gender. Totally unapologetic about any perceived notions about Vietnamese women, her use of raw colour, manipulation of depth, and the fusion of simplified forms make her works distinguished by a balance of incisive draftsmanship and painterly modeling. She has exhibited extensively internationally, including in Japan (1995, 1996), USA (1995, 1997, 2002, 2008), Netherlands (1997, 1999, France (1997, 1998), Switzerland (1997), Italy (1998), Korea (1998), Germany (1999), Philippines (1999), Thailand (2001), Canada (2002), China (2005), and India (2006). Her paintings are in the museum collections of the National Art Gallery of Malaysia, the Vietnam Fine Arts Museum and the Singapore Art Museum.
Art Exhibition: Security
at Thavibu Gallery 6 – 28 June 2009
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| http://www.thavibu.com/vietnam/dinh_y_nhi/VIE3100.htm
=========================================== Burmese Artists | U Lun Gywe
http://www.thavibu.com/burma/u_lun_gywe/BUR700.htm ===========================================
Thai Artists | Kritsana Chaikitwattana Kritsana Chaikitwattana is one of Thailand’s talented young artists. He was born in 1977 in Hat Yai, and graduated with a Bachelor Degree from Chulalongkorn University in 1998 and proceeded to attain a Master Degree from Silapakorn University in 2002. The last exhibition entitled Venuses of Bangkok focused on the strength of Thai women and their expanding roles. The artist pays homage to Thai women in today’s society. His Venus series is painted as oil on canvas, though mostly he has worked on carved and painted wood and small wooden patches on board. To the artist, patches, scratches and wear included in the works symbolise the passing of time. Some of his works even incorporate stones from Hualamphong, the main railway station in Bangkok. The focus of Kritsana’s work is often on the inner world of individuals, and the struggle for self-realisation, often relating to Buddhism. Other areas of focus are social commentary and the dire situation in the deep south of Thailand where there is an ongoing conflict. Kritsana has participated in several exhibitions in Thailand, as well as in Korea (2003), Spain (2005), Taiwan (2006), China (2008, the Olympics) and Singapore (2008).
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